PART THREE: Progress...

I've broken a rule of painting (according to almost all of my art teachers ever) by saving the hardest part for last (as opposed to working all over the canvas equally for even completeness). Please don't mind the globular forms that look like ghost children. They are my next target, as will be the finishing touches throughout this painting. If all goes well, I've got about one more 6-hr session left for this to be done. Feedback is welcome! Thanks. Final photo to come soon.

PART TWO : Progress of a Commissioned Painting

(It's getting there!!!)

Progress of a Commissioned Painting

I'd consider this one-quarter of the way completed. Still to do: paint in two children running the walkway, add A LOT of detail to the grass, wood, and water, and unify colors/neutralize it a bit over all.

Of Flesh and Cloth

- A New Series in Progress -

Oil on Canvas, 18" x 24"

Part of my development in creating art involved my interest in sketching hands. I remember sketching my own hands during class during my school years, and drawing hands from photographs, friends, etc. I also learned how much I enjoyed drawing, sculpting, and painting cloth. The emotions that can be told by the movements in hands, and the softness of the large and small folds of flowing cloth appealed to me enough for it to hold great significance. The relationship of flesh with cloth tells a story.

In religious terms, the phrases "of the flesh" and "of the cloth" indicate our human nature. Through a series of oil paintings, I hope to portray the gentler sides and the tenser sides of our humanness, as well as other stories in between.

Thank you, Julia Ham, for being my first hand model for what I hope will be a line of work that I can put on display for the public.

Self-Portrait

I'm getting over my aversion to self-portraits. I never enjoyed doing them, even through all of the homework assignments--drawings AND paintings--through the years. One of these days, I will complete one that I like. I appreciate when an artist has one in their portfolio, such as this favorite: http://www.prescottpaintings.com/gallery.html

Everyone sees themselves differently than others do, and it's interesting to see how!

Chair

Oil on Masonite, 18" x 24".

Upon searching through my old computer files, I stumbled into this painting that I no longer have anymore, but was very proud of. I entered this painting into a Japan Relief Art Auction that was held after the earthquake/tsunami tragedy in 2011. This painting was actually classwork from my time at Gordon College. It was a sad thing to see it go, but it was one of the first works of mine that I completed that I gave away, knowing I'd probably never see it again. For me, it was a memorable growing experience as an artist. It now belongs to the Art Director at Monsterrat College of Art.

In Remembrance

This past Christmas, my sister Lydia and I finished a painting that we were asked to do for the mother of the lovely children in this photograph. The scene is from twenty-some years ago, and the elderly man present is their grandfather that past just shortly after Christmas day less than a decade after this photo was taken. It couldn't have been a greater privilege to collaborate on this sentimental painting, being so close to the feeling of loss of a loved patriarch of the family. Thank you to our great friends, Tristan and Ian (the young'uns here) for giving us this opportunity. And thank you for trusting us with something so delicate.

Here is a close-up of the grandchildren with their grandfather.

Acrylic on canvas, 18" x 24".